| 
"The
 Devil in the White City: Murder, Magic, and Madness at the Fair That 
Changed America" by Erik Larson has spent almost 300 weeks on The New 
York Times Bestseller list, since its publication in 2003. "The Devil in
 the White City" marks its return to bookstores on the heels of the 
purchase of the rights, by Paramount Pictures. The future film is a 
joint venture of Leonardo DiCaprio and Martin Scorsese. 
 1890s Chicago was a time of hubris and innocent excitement. American 
architects, politicians, and laborers dared to construct a World's Fair 
that would rival the latest Exposition in Paris. Headed by architect 
Daniel Burnham, time, talent, and money poured into creating a city unto
 itself in the Fairgrounds. In this energetic and frenzied environment, 
Dr. H.H. Holmes was able to lure his victims to his establishment just 
outside The White City. Young, attractive, and naïve women employed in 
Holmes's stores did not stay very long. In fact, they were never heard 
from again.
 
 With hints of the old black and whites classics, "Gaslight" and "Dr. 
Jekyll and Mr. Hyde", Erik Larson's imagery takes us back in full 
technicolor. Easy to read details make the past as real as this very 
moment. With a storyteller's soul, Larson engages us as if we were 
reading fiction - as if the horrors that occurred so long ago are merely
 stories, not historical facts.
 
 Minutiae, well-placed, add to the suspense. Many of the items that 
make up our American lives today began at the Chicago World's Fair. We 
see the structures, larger than life. We smell the gas jets, beginning 
to be edged out by newly commercialized electricity. We feel the tension
 as artistic temperaments clash with economic crises. We hear the angry 
cries of laborers on strike, demanding a minimum wage and better working
 conditions. We sense the eerie darkness of odd angles and windowless 
rooms in a hotel, built only for one purpose. We feel the compelling 
sadness and frustration of a detective, following sparse leads and his 
nagging intuition.
 
 There are many names in the book, but Larson masterfully introduces 
us to each figure, and then uses great skill in reminding us along the 
way who is important to the story and why. And while the tale is dark 
and sinister in nature, this book does not read like a horror novel. It 
is an accessible examination of the juxtaposition between a lofty vision
 for superior world standing and the desolate madness of a gentlemanly 
killer.
 
 Bouncing back and forth between stories of the Fair's birth and the 
numberless deaths at the hand of a psychopath, the influence each had on
 the other remains both disturbing and amazing. Larson weaves the creepy
 and the fascinating with effective chapter breaks, holding us in a 
thriller's suspense. Constant action anchors us in each individual 
story, but with a hindsight afforded only to those of us so far in the 
future.
 
 Photo credit: https://upload.wikimedia.org/wikipedia/en/thumb/c/c7/DWCity.jpg/220px-DWCity.jpg
 | 
No comments:
Post a Comment